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Joaquin Phoenix and Pedro Pascal’s ‘Eddington’ Skewers a Divided America—And Promptly Divides Cannes

You never knew when Friday’s world-premiere crowd of Eddington was going to laugh. This was surely expected on the part of writer-director Ari Aster, who unflinchingly and often comically dives into the extremities of the immediate post-COVID moment in the U.S. His portrait of that unsettling period ranges from broadly silly to agonizingly specific, and…

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